1992-1995 iUsed an 8-Bit Digitizer for my Amiga 500 with Protracker Sequenzer Software = P.S.S. = S.S.P.
& my win 95 PC(my first windows computer)
with a an INTEL Pentium 75MHz CPU
& Steinberg's CUBASE 1995-2001.
1996 iBought a SoundBlaster
AWE 32 (16-Bit 44,1 kHz)
& added 8MB RAM
iHad A 2nd Hand Hohner MIDI Keyboard since 1988
A Commodore Amiga 500 1990-1995@METRO Hannover
YAMAHA 01V digital mixer 1999-2012@PPC Music Hannover
E-MU e6400 Emulator from 1999-2000@M.S.Pro.Köln
& the E-MU e6400 ULTRA 2000-2012@M.S.Pro.Köln
& A CLAVIA NORD LEAD 1 2004-2007@eBAY
p.s.
because of N.I. Kontakt & N.I. Battery I
did not use my e6400 ULTRA
since 2005 & also sold my
CLAVIA N.L.1 in 2007.
2000-2004 iMade
a creative
break &
did not
make
any
Music since 2007, but iStiLL Love 2Listen 2Music very of10.
DEUTSCHLAND ist NichT unenDLicH+gROSS
UND AUch nicht unendLiCH REIch
P8Lodge@M.C.E.O.@24.au25gusTAVi@O.S.T.fridaY@iceCubeDr.Dre I.T.d....
Men's vision of nature's s source+Keep their heads RING.ing
"Friday afternoon"@https://youtu.be/VQAtYyKK9fw
"Men's visions of nature's source may vary. They may be shoddy or sublime, for they will be like snapshots taken by the visionary camera of the intuitions and no camera is like any other, and our travelers vary in their proficiency as photographers. Moreover, these visions of God must appear superimposed on a film already predisposed as if by mental chemicals to take certain kinds of pictures over others."
"The sportsman may imagine a winner's God; the soldier, a God of war; the fearful, a God of retribution. Man will interpret this power, then, through his own individual nature and his conceptions will evolve with his own experience and understanding."
"Men who travel to foreign countries are often inveterate picture snappers. People who are so amateur as to be ashamed of their own pictures still want some to show on their return home; so they will buy pretty postcards perhaps, taken by a professional photographer under the best of conditions: the sun will be shining, the sky blue. All will be picturesque, yet sadly lacking the touch of authenticity apparent in even the travelers own poorest picture. On the day of his visit, the sky might be clouded or the rain falling, and the particular buildings might be changed in a variety of ways from the time of the photographer's postcard picture."
"So while there is a general connection between the travelers experience and the photographers picture, our traveler on his return will know the difference, even though he tries to convince himself that what he saw tallies with the postcard image."
"In the same way, the conventional images of God distributed by the various religions represent posed, formal yet picturesque, generalized and stylized versions for those who do not trust their own abilities in such matters. They serve as handy guidelines, representing the personifications of nature's source as glimpsed in certain "spiritual or mental or psychic places." But they must remain general and mass produced."
"Beside this, however, conventionalized religious "photographs" were taken long before our travelers lifetime, as a rule, and are glaringly out of date with his own experience. On seeing them, he hesitates to comment on the sense of strangeness he feels, knowing intuitively that the images are clothed in a spiritual fabric long since frayed, even though they have been retouched in the pictures themselves so as to appear in good repair."
"So our traveler finally begins to take his own psychic snapshots or spiritual photographs, knowing full well that he is an amateur. He must learn to operate his visional camera and keep it in readiness for those moments when he suddenly glimpses that extraordinary power, no matter how fleetingly. His private photo album may be limited in size, therefore, yet each picture will represent his own private vision at any given time, and the pictures may not be similar but vastly different one from another."
"At first this may confuse him, for unwittingly he may still be comparing his own pictures with the more standardized ones. His visions may make no sense at all at the start, then. Walking along one day, for instance, he may suddenly feel an inner swirl of extraordinary energy. The sky takes on a cast of light he's never noticed before. The cows in a nearby pasture are endowed with a placid majesty and ancient power. He stands transfixed. The cows seem to possess a wisdom he's never seen even in a priest's or monk's face. That wisdom spreads like a summer breeze from the animals to himself, invisibly entering his soul until for a moment he does not know if he is still himself watching the cows, or the cows watching him. He knows only that he is feeling an intimacy with some force that moves and forms cows and men, a spirit more ancient than the meadows and as new as the moment of his experience."
"The Afterdeath Journal of an American Philosopher" @ Chapter 16
by Jane Roberts.
Laurel Davies.
1978 by Jane Roberts.
LUenEburGEr@buergerrechteheutEdeuteR.de
Link GUESS+TARN bzw. Recht GESTERN.ie&bert
VON buGs The HU.de b.i.s. KAM+enHu.de & BA.ck
