


Semi-modularer DAW-Controller
- AViD S4 24 5' base fader system auf dem AViD S6 basierender,
- kompakter und anspruchsvoller DAW-Controller für
- professionelle kleinere Ton-
- und Audio-
- Post
- pro-
- du-
- ct-
- io-
- n-Stud-
- ios+Nutzung
- des bewährten EUCON-Protokolls zur nahtlosen Einbindung
- vieler Anwendungen von AViD Pro Tools/Pro Tools Ultimate und
- Merging Technologies Pyramix,
- Apple Logic Pro,
- Harrison Mixbus,
- MOTU Digital Performer,
- Magix Samplitude / Sequoia,
- Steinberg Cubase / Nuendo
- zu Trinnov Audio D-ON ermöglicht deutlich effizienteres und präziseres Arbeiten bei Aufnahme,Schnitt und Mischung+zeitgleiche Steuerung von zwei verschiedenen DAWs+benutzerdefinierte Anpassungen für eigene Workflows
- Basissystem bestehend aus Rahmen 5'
- 1 x MTM - Master Touch Modul,
- 1 x MAM - Master Automation Modul,
- 3 x CSM - Channel Strip Modul sowie Blindplatten
- auf den leeren Modulplätzen ::::: Abmessungen (BxTxH): 1551 x 731 x 58 / 142 mm



















*"Sealed by a landslide for *21,000 years*, the Chauvet Cave’s walls pulse with the oldest known paintings—lions, rhinos, and galloping horses frozen in torchlight. A time capsule from the Ice Age, untouched until 1994. Who else feels the whisper of Paleolithic genius? Artists *scraped* walls clean before painting and used torch flicker to make beasts appear to move—proto-cinema 30,000 years early!


In 1994, three French speleologists squeezed through a narrow cliffside tunnel near the Ardèche River—and stumbled into a **cathedral of prehistoric art**. The Chauvet Cave’s walls, preserved by a *perfectly timed landslide* around 19,000 BCE, bore **over 400 animals** painted with charcoal and ochre: stampeding woolly rhinos, dueling cave lions, even a 10-meter-long panel of horses flowing like a Paleolithic filmstrip.
Radiocarbon dating shocked the world: these were **twice as old as Lascaux**, painted when Neanderthals still roamed Europe. The artists used cave contours to create 3D effects (a bison’s head emerging from a rock bulge), and *footprints* of an 8-year-old child—perhaps an apprentice—remain fossilized in the clay."--Arch. news & Arch.




