Tuesday, May 13, 2025

E.T. und A.L.F. als #ALS Applied Love Sciences

  

 

Semi-modularer DAW-Controller

  • AViD S4  24  5' base fader system auf dem AViD S6 basierender,
  • kompakter unanspruchsvoller DAW-Controller für 
  • professionelle kleinere Ton- 
  • und Audio-
  • Post
  • pro-
  • du-
  • ct-
  • io-
  • n-Stud-
  • ios+Nutzung 
  • des bewährten EUCON-Protokolls zur nahtlosen Einbindung
  • vieler Anwendungen von AViD Pro Tools/Pro Tools Ultimate und
  • Merging Technologies Pyramix,
  • Apple Logic Pro,
  • Harrison Mixbus, 
  • MOTU Digital Performer, 
  • Magix Samplitude / Sequoia, 
  • Steinberg Cubase / Nuendo 
  • zu Trinnov Audio D-ON ermöglicht deutlich effizienteres und präziseres Arbeiten bei Aufnahme,Schnitt und Mischung+zeitgleiche Steuerung von zwei verschiedenen DAWs+benutzerdefinierte Anpassungen für eigene Workflows
  • Basissystem bestehend aus Rahmen 5'
  • 1 x MTM - Master Touch Modul, 
  • 1 x MAM - Master Automation Modul, 
  • 3 x CSM - Channel Strip Modul sowie Blindplatten 
  • auf den leeren Modulplätzen ::::: Abmessungen (BxTxH): 1551 x 731 x 58 / 142 mm


 
  


 

 
 
 
 
 
 
  
 
 

 


*"Sealed by a landslide for *21,000 years*, the Chauvet Cave’s walls pulse with the oldest known paintings—lions, rhinos, and galloping horses frozen in torchlight. A time capsule from the Ice Age, untouched until 1994. Who else feels the whisper of Paleolithic genius? Artists *scraped* walls clean before painting and used torch flicker to make beasts appear to move—proto-cinema 30,000 years early! 
🐎✨

In 1994, three French speleologists squeezed through a narrow cliffside tunnel near the Ardèche River—and stumbled into a **cathedral of prehistoric art**. The Chauvet Cave’s walls, preserved by a *perfectly timed landslide* around 19,000 BCE, bore **over 400 animals** painted with charcoal and ochre: stampeding woolly rhinos, dueling cave lions, even a 10-meter-long panel of horses flowing like a Paleolithic filmstrip.

Radiocarbon dating shocked the world: these were **twice as old as Lascaux**, painted when Neanderthals still roamed Europe. The artists used cave contours to create 3D effects (a bison’s head emerging from a rock bulge), and *footprints* of an 8-year-old child—perhaps an apprentice—remain fossilized in the clay."--Arch. news & Arch.